Jurassic World Rebirth
A new era is born.
Five years after the events of Jurassic World Dominion, covert operations expert Zora Bennett is contracted to lead a skilled team on a top-secret mission to secure genetic material from the world's three most massive dinosaurs. When Zora's operation intersects with a civilian family whose boating expedition was capsized, they all find themselves stranded on an island where they come face-to-face with a sinister, shocking discovery that's been hidden from the world for decades.
Wokeness: 80%
Overall Score: 30%
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User Submitted Reviews
Joe
SUPER WOKE
It’s starting to feel repetitive—so many movies follow the same formula. The white woman is portrayed as the brave, smart leader, often telling the white men what to do. Black men are shown risking their lives and being the most selfless or kind, while the white men are either villains or portrayed as weak. It’s becoming predictable. Besides all that the movie wasn’t bad I liked the Dino’s but spoiler ** nobody dies that you like not that I want someone to die it’s just that it’s a dinosaur movie and no one dies who you really care abt.
Created: 07-03-2025
Bianca
Great entertainment overall but the woke elements were obvious and annoying
Of course the "good guys" had to be a Mexican family. They are the helpless innocent victims and the white man is evil and corrupt.
Other than that tedious cliché, the film was good fun!
Created: 07-09-2025
BrentJonesMAGAPatriot1776
Serviceable, if not great, Jurassic film, mildly woke
Obviously, the diverse DEI Mexican family being portrayed as the "heroic family" was annoying and heavy handed, as this is most likely virtue signaling in retaliation for Trump securing the border. Otherwise, there are some mild, more subtle commie-sympathetic elements, with the shady biotechnology firm risking lives for the sake of the plot. 6/10, Not bad, not great, serviceable, but also underwhelming for a Jurassic film.
Created: 07-20-2025
Rick
Straight, White Male? Oh No!
Within the *literal* first minute of the film, a straight, white, male lab tech—Hollywood’s favorite new whipping boy—fumbles his candy bar wrapper into a security vent, short-circuiting the system and triggering a catastrophic containment failure. Naturally. Because nothing screams “credible plot device” like reducing the sole representative of the so-called patriarchy to a bumbling idiot for easy narrative blame. Why not heap the failure of an entire facility onto the lowest rung of today’s victimhood hierarchy while you're at it?
And then there’s the door itself. Of course, containment doors—famously known for their totally realistic air vents just waiting to suck in trash, because that’s what high-security labs are all about. And naturally, anything that gets sucked in—say, a candy wrapper—would *completely* disable the entire mechanism. Because in this universe, billion-dollar safety systems are apparently engineered with the fragility of a toy from McDonald's.
Oh and his female colleague has to leave him trapped with the Distortus-rex he's just loosed so he can be the first to get eaten. As the jaws crunch I bet he's wishing had been born a dyslexic, black, trans women with a handicap. Then "she" would have waltzed through the whole movie.
Oh, and don’t even get me started on the film’s heroine, a so-called “spec-ops” soldier—because when I think elite dinosaur-slaying badass, I *naturally* picture a 125-pound Hollywood starlet with contour-perfect cheekbones and the physical presence of a yoga influencer. She’s not just surviving prehistoric death machines—she’s outwitting, and outpacing them in boots that wouldn’t survive a puddle. And of course, she’s not following the grizzled, muscle-bound male survivors—no, *they* need *her* leadership, *her* brilliance, *her* steely-eyed resolve to survive. Because in this cinematic fantasy, evolution bends to the demands of gender optics.
And of course, no modern blockbuster would be complete without a shoehorned “diverse” family to round out the studio’s DEI bingo card. Enter the token Hispanic family—dropped into the plot with all the subtlety of a corporate PR memo. They contribute nothing to the story, have no meaningful impact on the outcome, and might as well be wandering in from another film entirely. But hey, they’re there, and that’s what matters, right? Representation for representation’s sake. Go Hollywoke!
Created: 08-08-2025
