
Streets of Fire
Tonight is what it means to be young.
Raven Shaddock and his gang of merciless biker friends kidnap rock singer Ellen Aim. Ellen's former lover, soldier-for-hire Tom Cody, happens to be passing through town on a visit. In an attempt to save his star act, Ellen's manager hires Tom to rescue her. Along with a former soldier, they battle through dangerous cityscapes, determined to get Ellen back.
Wokeness: 0%
Overall Score: 40%
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User Submitted Reviews
NoWo
Lots of streets, lack of fire
Basically, the director of The Warriors trying to make lightning strike twice.
The script is fit for a 90s videogame. The 2D, side-scrolling, beat-em-all kind. Although the violence is more of the Hill/Spencer, A-Team slapstick kind. Bozo Duo rather than Double Dragon. Except for the end.
Setting is full-on 50s, with a sprinkle of Western long coats and lever actions. Also, suspenders. Lots of suspenders.
Visuals are mostly music video fare (before music videos really were a thing), but possibly a bit too dark, or not enough. Absolute Beginners and Highlander simply did it better as lighter and darker, with far superior scores. So did the Blues Brothers.
Not saying the music isn't good here, though, boasting the likes of Ry Cooder, Tom Petty or Stevie Nicks.
And this movie probably was pretty innovating in '84. It aged faster, though.
The cast is less stellar. Paré never happened, I never was a fan of Lane, and Dafoe plays his usual character; Dafoe, not Dafriend. Well, he was young then, so maybe before it became his only role.
It doesn't help that the characters are one-dimensional, and rather badly written. They simply lack charisma, which is a cardinal sin for this type of movie.
Nice to see Moranis in an unexpected role, though.
No overt wokeness that I saw, but I had lost interest by the two-third mark.
Could have been a nice movie with better acting, I guess.
Created: 06-23-2025