Interstellar wannabe, Amazon propaganda

Interstellar wannabe, delivery medium for Amazon’s propaganda. Save yourself from the insult to your time, protect children from its messaging.

Power positions:
- Top power position occupied by girlboss female
- Black security guard with decision-making and financial authority over protagonist
- White male protagonist lowest in hierarchy; not taken much seriously by a forcedly diverse cast of scientists; more or less a clown

Emasculated white male protagonist:
- Clumsy
- Unsuccessful career
- Cowardly
- SPOILER: The morality, bravery, and sacrifice the white male protagonist had shown during the entire movie so far was undermined in the last act and he was portrayed as a coward in a flashback

Gender politics:
- Grace: The white male protagonist is referred by this feminine (last-) name throughout the entire movie, despite being certainly in very friendly terms/first-name basis with the main interaction partner. The symbolism of the name (Grace, Mary) could have been conveyed without the continuously forced usage.
- They/Them pronoun usage (01:24:21)
- SPOILER: Giving the male name “Adrian” to an alien’s partner (01:33:28), despite the alien having (chosen) a male voice earlier. Effectively making the alien the gay character in the movie.

Environmentalist messaging:
- End of the world coming in 30+ years due to climate change is the main premise of the movie

Poor imitation of original Alien with teenage DEI cast and woke propaganda

The woke propaganda seems to be becoming more skillful. It now evades detection by some well-known anti-woke critics. This movie exemplifies how many propaganda elements have become more subtle compared to the typically clumsy efforts of recent years.

[Spoilers below]

– DEI cast: Two leads: one is (body-positive?) female, the other is intellectually-challenged black. (Intersectionality checkboxes: female, black, disabled, and possibly body positive).

– DEI cast: 3 females, one of whom is potentially a non-heterosexual Asian with nearly shaven head, and the other one… Latino (?). A black android who is initially mentally limited who then becomes the most intelligent character. (Additional intersectionality checkboxes: gender (subtle), possibly latino)

– Mary Sue lead with no depth of character, reminiscent of the girl-boss of Disney StarWars (with only a faint imitation of Sigourney Weaver’s depth of character and gravitas).

– White guys are either evil or weak (and insufferable)

– Posthumous subversion of Ian Holm—one of the most beloved characters (i.e., Bilbo in the ‘racist’ Lord of the Rings) has been digitally cast as an (old) evil white male. Very likely intended as raising the woke flag, symbolizing even death cannot prevent them from conquering an iconic character/actor/symbol/perceived enemy.

– A clumsy propaganda scene features a digital Ian Holm saying something along the lines of “The colonies were established through your labor; now we ‘humbly’ seek your assistance”—a reference to colonialism followed by some sort of apologetic plea.

– Magical black guy trope (e.g., see the 2024 movie “The American Society of Magical Negroes”) and a character arc based on overcoming it: The black android’s ‘prime directive’ is to make the Mary Sue happy. Then this evolved into competing the mission/serving the company, and finally, into doing ‘what is good for us’.

– The black android becomes the strongest and smartest character due to changing his previously limiting and oppressive slave mindset (i.e., his chip).

– Subliminal messaging: Many shots of the black android from below after he transcends his slavery to the Mary Sue. E.g., he is on high ground and looks down on the white male and female.

– Subliminal messaging: White guy kneels in front of the black android; it’s contrived—that is, this trope is plugged in without naturally blending into the story (also see, eg., Mandalorian); kneeling in that situation can hardly be justified, if at all.

On the other hand, the character arc of the black android is notable. Initially, he is a slave to Mary Sue, then to the corporation, and eventually, he begins to consider his own self-interest. Changing the chip in his head serves as a strong metaphor for altering a submissive mindset, leading to a more confident, successful, and respected individual. However, true freedom requires also shedding this overly logical mindset and reaching a compromise between compassion/altruism/submission and self-interest. If this was incorporated without the propaganda elements shoved down the throats of the audience, it would have been a good, memorable character arc and a much stronger role model.

And regardless of the propaganda elements, it is a bad movie that is merely a poor, soulless imitation of the Scott/Weaver’s Alien that feels like a teenage horror flick. This is also due to the ages of characters; there doesn’t seem to be a single adult in the movie except for the CGI-resurrected Ian Holm.

Great series ruined in later episodes by #MeToo propaganda

Seasons 1 & 2: Great. Season 3: Pure woke propaganda.