NotYourNPC's Reviews
Escaped Its Retard Creator's Agenda
Gravity Falls ain't the woke apocalypse some libtards wish it was, but damn if its creator Alex Hirsch—that sniveling propagandist—didn't try his hardest to turn it into a rainbow-slathered indoctrination camp for kids. On the surface, this 2012-2016 Disney gem is a breath of fresh air in today's preachy cartoon hellscape. The show's got sharp humor, twisty mysteries that actually pay off, and zero of that forced agenda slop that makes modern shows unwatchable. No wonder conservatives dig it—it's family-friendly fun without the lectures.
Now, where this show really shines (and Hirsch gets rightfully roasted) is what it could've been if that soy-raged warrior got his way. This whiny libtard bitched about Disney being too "straight" and censoring his precious LGBTQ+ dreams. He wanted a full-on lesbian granny smooch in "The Love God" episode—just background pandering to rack up that gay ratio and force "representation" down kids throats. Disney axed it, and good riddance; it'd turn a fun love-spell romp into inclusivity slop. Dude also had wet fantasies of queering the kids: bisexual hints for Dipper or fluid vibes for Mabel. Which Disney ofcourse rejected, that led to Hirsch whining about rewriting them to avoid rainbow overload. If this cuck had full reins, Gravity Falls would've been a preachy dumpster fire—exceeding gay ratios, pandering inclusivity, maybe even infinity gender nonsense—ruining a fun mystery show with Tumblr-tier propaganda.
In the end, the show dodged most bullets, making it a solid watch for anti-woke folks who crave clever plots without the rot. Killer voices (Jason Ritter's Dipper nails the nerd angst, Kristen Schaal's Mabel is chaotic joy), and Stan's grizzled wisdom hits home. But Hirsch's baggage taints it—like knowing your burger was almost vegan. Woke Score: 2/10 (subtle stains, but creator's actual intent spikes the threat). Watchability for conservatives: 8/10—binge it, but gag at what almost was. Show that barely escaped the libtard abyss.
Created: 09-15-2025
Official Anime for Well-Adjusted Cucks
**Vinland Saga Season 2 is a pathetic, woke, preachy dumpster fire** that spits on the legacy of its first season. This isn't a nuanced take; it's a fact for anyone with a functioning brain and a pair of eyes.
The show had a golden opportunity to ask hard questions. What is worth killing for? How do you lead when peace is a weakness? What do you do when you can't run? Instead, creator chickened out and delivered **two-cents-deep, soy-infused propaganda** that would make a kindergarten peace council cringe.
Remember Thorfinn? The feral, revenge-driven badass from Season 1? Yeah, They took his character and turned him into a walking, talking Hallmark card about peace. It's not that he changed—it's that he got *neutered*. Every time he opens his mouth now, it's just another limp-wristed speech about turning the other cheek like dollar store gandhi. Dude's entire personality now is "Killing Is Bad, M'kay?", he doesn’t have convictions; he has Pinterest quotes. He doesn’t have a moral compass; he has a guilt complex dressed up as enlightenment. The charmingly honest, if dumb, shonen protagonist is gone. In his place is a **pacifist cuck** who just spews platitudes while the world burns around him.
The show also doesn’t trust you to grasp its galaxy-brain message, so it rams it down your throat. We get it. Killing bad. Peace good. But the way it’s executed is so laughably naive it feels like it was written by a homeschooled teenager who just discovered anarcho-pacifism on Tumblr. There’s a scene—and I swear I’m not making this up—where a group of armed, bloodthirsty raiders are about to storm a hut where a woman is giving birth. The show’s big-brain solution? Have some **beta simp stand in the doorway and politely say “no”.** And when he gets stabbed for his trouble, he just… doesn’t die. Because his newfound passivity gives him literal plot armor. The invaders then piss themselves and run away because the power of… *saying no*… was just too strong. **Gee, that is genius. Why hasn’t anyone thought of that before?**
As if that wasn't enough, they had to double down by introducing **Hild**, a walking, talking girlboss manifesto. She exists for one reason: to hold a crossbow to Thorfinn's head and remind him—and by extention us, the audience—what a **pathetic, obedient little bitch** he's become. She’s a Mary Sue with a tragic backstory™ , she has all the agency, all the power, and none of the depth. She’s a feminist revenge fantasy inserted into a Viking saga, and it shows. She could kill Thorfinn at any moment, and the only reason she doesn’t is so the writers can keep their **precious little pacifist mascot** around to keep lecturing us, effectively neutering any remaining shred of agency or respect he had left. Chef's fucking kiss.
Season 2 is the ultimate litmus test. If you unironically think this is “peak fiction” or “mature storytelling,” you’re beyond saving. it’s ideological garbage masquerading as art. It’s “If you kill your enemies, they win” repackaged for the Blue-Haired Avenger crowd.
Created: 09-04-2025
