It doesn't get much more woke than this. Lesbian main characters first scene is in bed with another woman. Her second scene she is hit on by a white male and states 'I like girls' Got to really hammer home that woke point. The second male character to show up is gay and hires
her because his boyfriend is cheating on him. The villain appears to be a white male preacher using his church to deal drugs. This is within
the first 15 minutes and at this point I'm already done but decide to skim ahead another 10 minutes just to see another lesbian character introduced only to finger bang the first lesbian in a public bar then transition to a full lesbian sex scene. What a bunch of woke trash. There appears to be no real story, the dialog is laughable and not in a funny way, the lead female acting is awful and every line is delivered like she's reading it off a cue card with no emotional range whatsoever. There is no reason for this garbage to exist. How in the hell is this dumpster fire directed by one of the Coen Brothers.

Could it be this horrible? Meh.

After reading the other review for this film, I just absolutely need to see it for myself. Like a car crash. So I'm going to watch the first fifteen minutes and report back. Really? It just can't be such drivel. Who'd it appeal to? Are kids these days mindless DEI prototypes? I must inquire...

Ok. Now I start to get it. Coen and his lesbian wife. Look it up. I thought it was a joke. His lesbian wife, diesel dyke, Rosie O'Donnell impressionist and Coen write these films together apparently more for "self gratification" than anything else. That's my guess anyhow. There may be a trilogy of said lesbian films. Think, "Lord of the Rings" in romper stomper boots. The particular mystery of who this appeals to is solved.

And the answer is: No. and Yes. Honey Don't is brimming with lesbians and gays and bodily fluids and that's all in the first 15 minutes, but it knows what it is. This film doesn't hide the fact that it's created by a tired looking man married to a lesbian. There's no "hidden" agenda. In the case of Honey Don't, we need to be offended that it tries to recapture the early Cohn Brother's success, Pulp Fiction-esque filmmaking and it just doesn't work at all. I say, good for you to follow that dream and we love who we love and make films about it too.

Who does it appeal to? Doesn't matter. It appeals to Coen, his lifestyle and there's nothing subtle about it. We need to worry more about the subtle propaganda in advertising than we do about this film.