Marketed as a werewolf horror, this is a very low budget film and it looks like it. The acting is not very good, the story makes little sense, editing is
very amateur and there is no flow to the scenes. Everything looks cheap and amateurish. I made it to the 40 minute mark and there is no horror and no werewolves to be seen. It's basically a loser divorced drunk hallucinating things. While it's not overly woke it takes place in small town Oregon and the lead white male's 'love interest' is Asian and his
main competition for promotion in the police force is a smart competent black officer, so maybe a little DEI casting choices there.

I forgot how much I hated the first one until I started watching this one. I will say this one is maybe a little better than the first one but that's not
saying much. There's nothing really woke, other than maybe the focus switch from the brother to the sister who now sports a terrible boys haircut and looks like a 12 year old boy. Maybe that's why the grabber went for his this time, he got confused. The acting is ok about the same as the first one but the writing again sucks. This is a blatant ripoff of Nightmare on Elm Street right down to getting hurt in your dreams hurts you in real life. There's even a ripoff scene of her friends watching her fight the invisible grabber in her sleep and getting thrown around. It's unoriginal nonsense. There is some decent blood and gore FX but it's
pretty much all ghosts in dreams. The Grabber is pretty ineffective and nothing really happens to anybody until the very end of the movie. There's no scares and despite a decent performance by Hawke the Grabber is just not scary. The ice skating scene is unintentionally hilarious looking. If there is another one of these I don't think I
will be wasting my time. Unless I forget again how bad they are.

Nothing woke. Korean film listed as dark comedy, action, crime, thriller that takes place in the 70's and deals with a communist group hijacking a plane to take hostages to North Korea. I found this boring and the comedy is way to on the nose. Literally everyone in this is a complete bumbling incompetent fool. It wasn't funny just annoying and it's impossible to take anything seriously when the focus is on over the top dumb comedy and everything else is secondary. For me this was a big miss.

This is one of those parody horror movies that's all comedy not horror. While there's nothing really woke it's not that good either. There are a few
decent laughs but mostly it's just silly dumb humor. All the jokes go on for just a little too long and by the time the movie's half over your already
bored. You've seen most of these jokes before and there's nothing really new here. If you really like parodies maybe this is worth a watch. Nothing woke that I saw.

As others have mentioned Anya Taylor-Joy is pretty small and scrawny to be believable in the role. However she's never really portrayed as the super human invincible feminist' so I'm giving it a pass considering the type of the movie this is. The acting's pretty good, the FX and action scenes are well done. The story is decent and the writing isn't too bad though there are some cracks in the story and a few things that need to be ignored. Like if you don't want the two sides to interact at all then why give them clear means to see each other and communicate. Further why would you ever put a male and female counterparts
together in the first place. All in all it's a very watchable sci-fi action movie and the small writing issues are few and easy to overlook.

Another older christmas movie. Nothing woke in this one. It's the usual dysfunctional family home for the holidays comedy. I would say this is
not really a happy Christmas movie either and can be a little bit of a downer at times. The humor is great and Robin Williams is in one of his final movies as a bit of a nasty father figure. Still there's some pretty funny stuff here and it all generally comes together in the end. Another one for those who have enough of the happy shiny hallmark type Christmas movies.

Not really a Christmas movie in the traditional sense but it takes place around Christmas. This is one of our favorite yearly movies for the holidays. Great acting and the jokes come at you fast with a lot of slapstick physical humor as well. Reynolds plays the fat kid in high school stuck in the friend zone with his secret crush. He gets humiliated and leaves town becomes a bit of successful douche and go's back 10 years later to get even. Anna Faris plays a hilariously insane pop star. May not be for everyone but it's one of our favorites. Nothing woke.

You would never guess this was a Netflix movie and not one of those hallmark holiday cookie cutter turnouts. The acting is terrible, everything is too glossy, clean and perfectly decorated. It all looks like a fake set. While there are a few good laughs but most of it is cheesy, eye rolling and cringe. The story is so cliché and unoriginal it might have been and AI script. There's a bit of DEI in the surrounding characters and of course the husbands family is a the mixed race gay grandpas. Do not be fooled by watching a trailer for this. All the actual funny parts are in the trailer, the movie is not really like that. If you actually like those cheesy hallmark movies, and it's fine if you do, you may actually enjoy this more than me.

Nothing woke. This is sort of a Christmas movie I guess. It's a dark comedy but there's more drama than outright comedy. The humor that's
there works well and there are some funny moments. I wouldn't even say it has a happy ending though. Don't be scared away by Paul Rudd he's not his usual over the top goofy self and much more toned down here. It's an ex con released before the holidays who's trying to go straight and do right by his family for Christmas. If you want a break from the sappy rom com holiday movies give this one a try.

The only woke is the main couple is mixed race and there is a secondary gay couple in the 1st episode that didn't show up in the second one so
that may be a very minor thing. This is listed as a mystery comedy and i's a couple that goes to an island retreat where the wife finds a cell phone
from a missing couple. The acting is ok but the story is all over the place and the writing is very lazy. There's huge leaps in logic that make no sense and characters acting unrealistically. So the wife finds a 15 year old bust flip phone in the jungle so naturally she hunts down another one and buys it so she can swap sim cards and see the contents. She sees nothing suspicious but acts like she does and starts researching the couple on the phone. She finds out they went missing during a hurricane on the island. Again nothing suspicious but she acts like she discovered some big mystery and starts obsessing. Then about
2 scenes later she's telling her husband all these historical details like she's now an expert on the case. They both just decide there is some big mystery and they are going to investigate around the island and figure it out. It's absurd and the 2 of them are about the most insufferable and stupid couple you can imagine. They just run around the island like idiots on a play date never thinking once about contacting the police about finding evidence in a missing persons case. The whole show is jumping back and forth between the missing couple and dumber and dumber P.I. The humor is eye rolling cringe and not funny in the least and the
story just isn't interesting enough to keep your attention. 2 episodes was enough for me.