Lead white male has a black wife for the mixed race check mark. The sheriff is black. Tons of DEI casting. All the black people are good and all the white people are evil except the white husband. Racist black wife says a small town is off because she only saw 2 black people and they were working the drive thru. She then calls the black sheriff an uncle tom and says he's on someone's payroll. Then a pickup truck with a rebel flag in the back almost runs them of the road. They get home and a bunch of white men break into their house and say they want them out of town. They than wrap a rope around the black wife's neck and look for a tree. This is within the first 10 minutes of this trash. Also of note was a the very beginning the white bad guys are shown attacking a house at night wearing all black with black masks and the leader shows up wearing a bright red hat. Pretty obvious what the on the nose messaging is here. This isn't a movie, it's woke political propaganda of the worst kind. The acting is as bad as it gets, the only story is black people are good and victims of the evil white man especially from a certain political side.

5 minutes in and there is a mixed race lesbian marriage proposal. The head of the Spanish intelligence is female, the badass Columbian female
agent who has no problem absorbing punches and beating up much larger men sometimes multiple at once. There are a lot of badass females in general scattered about. A script so generic, cliché and unoriginal it's probably A.I. written. The acting is average but the action scenes if you can call them that are so boring and bland it's not even worth watching for that. The car chase scenes are slow and uneventful. Really nothing
here worth watching in my opinion.

This is typical Statham and most of his movie are pretty much the same at this point. If you like them you will probably like this one as well if you can take the lazy nonsensical writing. Right at the start there is a storm that just comes out of nowhere magically. One minute there's nothing and the next there's a bad CG big storm. There is zero chance that small child is going to launch that boat and paddle back out in those waves. Then the much larger trawler instantly capsizes and sinks while Statham's tiny little dingy has absolutely no issues whatsoever. At least the action scenes are good though right? Well the first real action comes at about 40 minutes in and features one of the most inept hit squads ever put to film. Apparently they only employ the deaf and blind, diversity I guess.
The 'action' and fight scenes themselves are slow, dull and just generally boring. Then when one of them goes into the cabin and grabs the child he reports 'I have the girl'. What? She's just some random unrelated girl he saved from drowning that no one knows is there. Her presence should of been a complete surprise yet they appear to be looking for her. The child actor is pretty bad and at this point spends most of her screen time with a vacant deer in the headlights look. This includes one the dumbest movie tropes of a nail gun firing nails across a room like a gun independently of any air hookup. The absolutely ludicrous club scene was where I couldn't take it anymore. Statham fighting, shooting people and stabbing them in the neck with broken glass in the middle of dozens of people in a club and not one person notices or cares. After that garbage I don't care how it ends. All leaders and power positions are held by women including the prime minister and girlboss black female head of MI6. General DEI overrepresentation in casting.
This little girl saves Statham not once but multiple times.

I went into this knowing nothing about it or the Stephen King short story it's based on. I thought it was a straight forward cursed object horror movie and wasn't to impressed until well into it I realized it was a horror comedy. Knowing that suddenly makes the whole movie much better. There's nothing scary and all the very over the top gory kills are more funny and cartoonish than anything. The comedy works and it feels like a Final Destination movie with a heavy dose of dark humor. The acting is good notable the lead actor who plays 2 very different roles as twins. One weird thing is the first part is set in 1999 and I thought I saw it wrong and it was 1979. Never does it ever feel like it's in the 90's and when it jumps forward 25 years to 2024 it feels almost the same like
it's still the same time period. It's a bit strange but doesn't overall hurt the movie. The only thing woke is a couple of DEI casting choices and a group of DEI school girls bully the white male boy. It's very short scenes and barely warrants a woke rating, but it's there so it gets a 1.

A Finish horror comedy that desperatly wants to be the new Gremlins. The lead teens look like they are well into their 20's. Some truly terrible
acting. The creature FX both practical and CG look bad, the gore fx are ok but nothing special. It wants to be an 80's homage but it just doesn't
work. The humor and constant little 80's gags are more eye rolling than funny. I didn't see anything woke but I only made it to 30 minutes and
couldn't take it anymore.

I'm in the minority here but I found this painfully predictible, boring and unoriginal. It just takes the done to death fatal attraction trope
then throws in the monkey's paw to make it supernatural and voilà rehashed Gen Z slop. The acting is ok most of the time but certain scenes that are supposed to be creepy or scary are so overacted they are just comical. The male lead is so annoyingly beta and pathetic it's hard to watch. You know exactly what's going to happen right from the start and how it will end, there is not one original thing in this. As for woke this is clearly meant to be a message on 'toxic masculinity', female victimhood and consent. The male is meant to be the villain portrayed as the emotional weakling who has no problem taking advantage of the female when given the opportunity. Nobody in this is likable in any way least of all the male lead.

Group of white friends has the token out of place DEI black female. There are environmentalist comments scattered throughout the dialogue. The acting is embarrassingly bad. The story and dialogue are so bad I hope it was written by A.I. so a writer doesn't have to take credit for this garbage. Speaking of A.I. this is another movie that heavily used A.I. generated images for all the shark scenes and as expected it looks terrible. The characters are unlikable and stupid. The ridiculous slow motion shots. This is another movie that's so bad it will probably end up on Rifftrax at some point.

While there is nothing woke in this it is a terrible movie. It looks like a 90's made for sci-fi channel no budget movie. The CG is terrible but
even worse the extensive green screen backgrounds. They are so bad there are visible lines around the actors where they were cut and pasted into scenes. Nothing is blended together and the actors look inserted or pasted into the scene. Sometimes actors seem to 'float' in the scene
and have no substance. The killer whale is inconsistent and changes size constantly sometimes within the same scene. It's so bad and distracting it renders it unwatchable for anything other than to laugh at and make fun of.

A movie that feels like a hack director trying his best to make a Guy Ritchie style movie and completely failing. I would like to say the acting
is bad but I think that's what they were going for. Everything is delivered in the most emotionless dull monotone voices. It's like they gave
everyone Prozac before every scene. The humor is so forced and unnatural, all the best parts are in the trailer. The writing makes little sense with a lot left unexplained are seemingly unrealistic. The 'heroes' are super powered and seemingly invincible, they take out an entire army without a scratch. The bad guys are comically inept and the heroes are never in any real danger, they barely even get dirty or a hair out of place. The lead says she's a lawyer, how is she able to very easily just dismantle this billionaire criminal organization at will? How is she so powerful and able to pull off any of this stuff? Don't know. This billionaire crime boss has his own island but a group of 6 men are able to import mountains of weapons, supplies and vehicles without him knowing. They are able to run drills and practice runs for seemingly weeks without anyone on the island noticing anything. Then months later when they go back everything is still there and set up to work just like they left it and nobody on the island has stumbled upon any of it. This crime boss seems to be completely powerless and ineffectual. How did he get to be a billionaire crime boss without having
powerful friends or know people. He has all this money but his militia seems to be the most inept group of street thugs he could find, no professional mercenaries to be found. The smug annoying genius girlboss with all her male minions saving the other girlboss
from the evil billionaire male. A lot of DEI though it is an internationally set movie so maybe not as unrealistic. Then there is the disturbingly
gay seeming couple that is the 2 male leads. It's never explicitly stated that they are gay but the amount of gay innuendo and jokes thrown around between them are far beyond what you will see from straight men.

A mix of documentary style and traditional filmmaking. The acting is good and while there is a little blood and gore the movie relies more on
atmosphere and building tension for it's scares and there are some creepy disturbing scenes. There's a few jump scares but not much so if you like cheap jump scares as 'horror' then this is not for you. Pretty good story revolving around folk horror though there's some shoddy CG that sticks out sometimes. For a low budget indie project though it's pretty good. The only woke is a token DEI casting choice for one of the group of 4 YouTube streamers. She's a minor secondary character and hardly on screen I almost gave it a woke free but it's there so I will give it a 1 Recommended if you like your horror with a little less blood and guts and more atmospheric buildup.