This shark movie is as generic, cliché and paint by numbers as it gets. Group of annoying, DEI checkmark gen z friends on vacation get trapped by a shark. Another movie where everybody is unlikable an irritating so who cares if they all die. It's the usual watered down PG-13 horror movie
aimed at teens. Once they get into the caves the movie shot so darkly you can't tell what's happening most of the time. The shark is unrealistic
and doesn't act like any shark in existence. Out of a group of 5 friends there is one white male. No surprise he is the dumbest man-child in the
group who literally almost cries when he sees someone's bloody knee from a small scrape. Normally I would give this a 1 for woke but the white male character is so comically stupid and childish it really feels like such a deliberately woke move. This is terrible and not even worth watching for shark fans.

This is a British creature horror movie mostly taking place in an underground cave system. The acting ranges from ok to a bit poor, but nothing awful. It's the usual stupid characters doing stupid unrealistic things. The underground scenes in the cave has very distracting lighting. It should be pitch black except for the flashlights and sometimes it is but others there is so much ambient light the flashlight beams are almost invisible. It's a minor complaint but it does get distracting. There's some decent creature FX but I kept thinking something was a bit off. It almost looks like 2 different people directed, 1 for the actors and 1 that did all the fx and creature shots. There were no wide shots anywhere
and most of the creature shots are separate and not in the same scene as any of the actors. It feels like disconnected somehow and doesn't feel like they are in the same room or even the same environment. It's hard to visualize the scenes and what's taking place as a whole because there's everything's too close up with no wide establishing shots anywhere. I originally thought this was just some lackluster directing or lack of budget to blend the CG together. However after watching the movie and doing a little searching I found out this movie heavily utilized A.I. to generate all the creature fx. It all makes sense why everything looked off. This explains a lot. Nothing woke that I saw. It's somewhat watchable if you really like creature horror but be prepared for a heavy dose of A.I. slop.

Claims it's inspired by a true story at the start. Turns out the directors friend flew a helicopter that was shot at went into a spiral and
recovered without crashing and the director decided to fabricate a movie that's complete fiction and based on nothing, so total b.s. The acting is pretty poor and there isn't really any story to speak of. For some reason they decided to blare awful rap music over a bunch of scenes that's so loud you can't hear anything else plus it doesn't even match the scenes. There's some decent action scenes and the movie looks good enough and is well filmed. It appears to have a decent budget so it's a shame this didn't turn out better than it did. The characters are too annoying especially the dumb as dirt contractor that's along for the ride. The only real woke would be some DEI casting especially in the completely miscast tiny Asian female baddass soldier who is borderline girlboss even though she's not the highest ranking one there. Might be worth a one time watch if you really like military style movies.

College the daughter attends is packed full of DEI though considering this a liberal arts college it's probably more accurate than DEI. However the new love interest for the white daughter is naturally a black male. Father's ex military friend is a black male. The writing gets a lot worse in the sequel. Nothing is explained about who this group is or how they can pull off the things they do. The father knows what they are doing but doesn't report them and just leaves the rest of the victims to suffer? How is the FBI not all over the place looking for them? They appear to have unlimited funds and resources but how, and from where? They have an island with full living facilities, boats and cars. They are able to track and locate this family and where the daughter is attending college. They are able to seemingly hack into a ride share company to track and steal the daughters pick up call. This ex military father goes to retrieve his daughter with no backup, no tactical gear or supplies and only a single handgun. Seriously. They main plot point from the first one is never explained. They are kidnapping girls because their women are sterile due to water supply contamination. They are on an island in the middle of nowhere. How is it contaminated and from where? The island we are shown to be inescapable in the first movie is revealed to be well within swimming distance to land. For some reason these survivalist's don't seem to like guns, if they did they could of killed the father 20 times over as he refuses to pick up any of the knives, crossbows or any other weapons, instead resorting to ridiculous cartoonish traps that he seems to have had plenty of time to set up by the dozen. There is no reason for this garbage to exist. Watch the first one if your bored maybe but pretend this garbage never happened.

Spoiler...this completely unnecessary sequel ends with the feminist power move of having the daughter get to kill the white male villain.

I wouldn't really say there's any woke in this. It's unclear exactly who the cult is at this point so that could turn into something woke in the sequel. This is an ok low budget survival thriller that will pass the time. The acting is ok though the daughter gets a little annoying whiney at some parts but at least she's not some super human feminist. The writing doesn't make a lot of sense and there's some really questionable
things going on. For an ex military guy he makes some very stupid decisions that seem unlikely. I'm trying not to give any spoilers as it's kind of watchable to pass the time. More thriller with a good bit of family drama than action but not the worst and I'll give part 2 a watch.

I knew before hand this was only 1 season before it was cancelled it just sounded interesting enough to give a chance. An alternate future
sci-fi 1950's where con men sell time shares and property on the moon. In the 2 episodes I watched it's never actually explained if this is even
a thing in this universe or not. It doesn't really make much sense, if it is a thing why would you need to sell people on the idea and everyone
would know how expensive it would be, if it's not a thing then why would anyone believe it in the first place. You would think after scamming this many people in so many towns everyone would know who this scam company is, they use the exact same company name everywhere they go. The first episode sets up a very interesting retro Jetsons style 1950's but then it doesn't do anything with it. There doesn't seem to be much of a story, it just drags out in family dynamic melodrama. Slogging through 2 slow moving episodes just wasn't enough to keep going. It's a real shame as this is a great setup for a sci-fi show, just put some thought into some kind of story. The acting is good and there is some ok humor. It's not even that it's a bad show it's just so directionless and dull. The only woke I saw in those 2 episodes was way, way to much DEI overrepresentation for 1950's America. Given the cancellation after 1 season there's no real reason to watch.

I won't say much about the movie itself as it's what you would expect. Bad over top acting, bad story, cheesy and corny as hell, but it's supposed to be. For the first 45 minutes or so it does a solid job of recreating the feel of the original with lots of little easter eggs thrown in.
Dinklage actually puts up a good performance as the lead. Then in the second half it takes a hard left turn into woke political propaganda and
never look back. There is a lot of DEI casting going on here including the heroic lead black female reporter. She makes a comment about humans
have already killed the planet. A white male reporter sarcastically asks if 'him' is the proper pronoun and the female reporter calls him classless.
There is a long scene of a group of white males called the nasty lads who we are told are political extremists take a restaurant full of minorities
hostage. They are angry about gender swapping the mascot and complaining about the estrogenic thinking of America. One of them does the ok symbol to a side shaved black female and asks if she's triggered. This is clearly meant to be the proud boys and 'right wing terrorists' in general. Despite all the DEI casting there is not one single minority killed in this movie. In fact the official death count is 19 males (all white) and only 2 females. To top it off the males are all killed very graphicly and violently while one female is electrocuted bloodlessly and the other disappears in a fireball. What could of been a decent homage to a terrible yet infamous 80's movie throws it all away for an agenda.

Typical blumhouse garbage. Bad acting, absolutely absurd nonsense writing with holes everywhere. Dei casting choices, female victims empowered to overcome the evil male's by the end. Pretty much every single male in this movie other than one is a bad person or creepy predator. The female lead is a victim of male domestic abuse who helps other women of male domestic abuse and is suspicious of every single male. The movie even sets it up with a weird pointless scene at the beginning where a meter reader peaks into a window at the female lead than knocks on the window just to tell her he's there to read the meter. Who does that? The flamboyant obviously gay water. Mixed race secondary background couple. It starts out sort of interesting
and just gets more and more ridiculous as it goes along. The entire plan of the villains is such over the top nonsense, and the male villains have
to be the most inept, incompetent 'professionals' ever.

Another thinly disguised genre movie that's really just there to push the woke agenda. It's pretty much impossible to review this without
spoilers so I will put that at the end. The acting is all over the place but generally not great with some terrible accents as well. The gore fX look fake and unimpressive. It's very slow moving and lite on the horror. This is really here just to push feminism in general but the rainbow mafia as well. Why are the hillbilly males stereotypical, dirty, dumb and unkempt. The female hillbillies are just normal people. Well mannered, well dressed, full makeup and hair and of course also badass. By the second half the whole thing just turns into a big lesbian gay statement against masculinity.


Spoilers....


The other family the closeted lesbian daughter and the suppressed by the father wife who don't really want to kill anymore. The father and
son are crazed killers and love it. The lesbian daughter just happens to stumble upon the lesbian hillbilly and make out. This is of course her
chance to reveal everything to her homophobic father and turn on the evil father and son, escape and go be her happy lesbian self.

Another Norwegian monster movie. The acting is pretty bad and the FX look cheap. For some reason there is a lot of blurry out of focus background scenes that are distracting. The title Kraken shows up for about 30 seconds of bad CG screen time, the rest is all cheap looking tentacles and the first 45 minutes is pretty much all setup with nothing happening. The ending is hilariously bad and the whole movie is an environmentalist monster revenge movie on evil humans destroying the ecosystem and messing with nature. There is far too much DEI casting here for a Norwegian movie where the country is 94 percent white. The opening scenes has a white male and black male, the 3 teenagers' includes a black male and the lead is a mixed Iranian Norwegian female. Speaking of this is another movie all about the females, every group is focused on female leads with background male characters, the scrawny female police officer, the mixed Iranian smart scientist, the teenagers focus on the female of the group. The only one that has a male lead is the evil corporation harming the environment.