Awake not Woke!

Trying to remember Weapons

I have a hard time remembering this movie, but yeah there's some kind of gay Asian in it. I remember that. I think my wife liked this movie because of the way all the kids ran with their arms out and all. I think that was the only reason. I'm starting to remember the plot and it wasn't really that good for my likings.

Finally, a proper ending.

This was a very fun, fast paced season that brought back Dexter to his original greatness. After one of the worst finale's of all time, and a couple of pretty poor spinoffs, Dexter returned to what he does best...kill bad guys. Although there is some woke elements, they don't really ruin the season because the main man is still Dexter.

Nothing woke. I really wanted to like this movie much more than I actually did. The positives are some pretty good acting, great sound work and the fx looked great. Unfortunately it's obvious they had very little budget. The movie is just plain boring and there's not enough content to warrant a full length movie. Too many scenes seem to drag on for far too long. The huge overuse of the slow motion closeup with muted sound to show disorientation. It can be a good effect but just annoying when used over and over every 5-10 minutes. It feels like a short film padded out to feature length. There is also the problem that most of the action scenes consist of shots of the soldiers firing their weapons but almost never what they are shooting at. You hear a lot of background gunshots but rarely are there any bullet impacts, just the occasional round hitting a wall. Because of that you never feel like there's any real danger or they are in an actual combat situation taking enemy fire. It's not really a terrible movie and it could of been very good with a bigger budget to do the script justice.

Escaped Its Retard Creator's Agenda

Gravity Falls ain't the woke apocalypse some libtards wish it was, but damn if its creator Alex Hirsch—that sniveling propagandist—didn't try his hardest to turn it into a rainbow-slathered indoctrination camp for kids. On the surface, this 2012-2016 Disney gem is a breath of fresh air in today's preachy cartoon hellscape. The show's got sharp humor, twisty mysteries that actually pay off, and zero of that forced agenda slop that makes modern shows unwatchable. No wonder conservatives dig it—it's family-friendly fun without the lectures. Now, where this show really shines (and Hirsch gets rightfully roasted) is what it could've been if that soy-raged warrior got his way. This whiny libtard bitched about Disney being too "straight" and censoring his precious LGBTQ+ dreams. He wanted a full-on lesbian granny smooch in "The Love God" episode—just background pandering to rack up that gay ratio and force "representation" down kids throats. Disney axed it, and good riddance; it'd turn a fun love-spell romp into inclusivity slop. Dude also had wet fantasies of queering the kids: bisexual hints for Dipper or fluid vibes for Mabel. Which Disney ofcourse rejected, that led to Hirsch whining about rewriting them to avoid rainbow overload. If this cuck had full reins, Gravity Falls would've been a preachy dumpster fire—exceeding gay ratios, pandering inclusivity, maybe even infinity gender nonsense—ruining a fun mystery show with Tumblr-tier propaganda. In the end, the show dodged most bullets, making it a solid watch for anti-woke folks who crave clever plots without the rot. Killer voices (Jason Ritter's Dipper nails the nerd angst, Kristen Schaal's Mabel is chaotic joy), and Stan's grizzled wisdom hits home. But Hirsch's baggage taints it—like knowing your burger was almost vegan. Woke Score: 2/10 (subtle stains, but creator's actual intent spikes the threat). Watchability for conservatives: 8/10—binge it, but gag at what almost was. Show that barely escaped the libtard abyss.