All User Reviews

Lots of potential for an old school 70's grindhouse slasher. The movie looks great and the cinimatogphay is spot of this style. The FX are well
done and there's some disturbing kills. However the lead female's acting is pretty poor. The Dolly character who never speaks and has a mask on the entire time has to rely on physical acting and again it's not very good. The character isn't really scary or threatening, it just comes of as goofy and silly. Then there's the woke aspects, Dolly is played by a nonbinary they/them loony. All the males are useless and just there to be killed. The lead female finds a white male tied up and tortured so she frees him and he just instantly grabs her and goes full rapist. In the end it's just a woke, cheap Texas Chainsaw ripoff that's not worth the short 70 minute runtime.

A woman wakes up trapped inside a moving rv trailer and can only talk to her captor driving through a speaker. It's a very low budget movie
with most of if taking place inside the camper and only a couple of actors. The acting is ok but the surprise is easily figured out very early
on. It's another movie that requires characters not to withhold information or say and act ways that aren't believable. It also gets boring pretty quickly as very little happens for the first 45 minutes or so. I didn't see anything woke but it was losing my attention by the halfway point so
I could of missed something. It's not awful but I was pretty bored with it.

Woke Mommy, Soft Daddo

*Other Mommy* pushes the usual woke inversion: career mom as the masculine provider, soft “Daddo” as the feminine male caretaker. Kids need a father who models masculinity and a mother who models femininity. Swapping those roles just leaves them without clear examples of how they will grow into one.

Chastain’s face is so tight, uncanny and pure Hollywood product that she was able to pull off the monster without makeup. Her trying to play a normal mother looks about as natural as a mannequin sitting at the dinner table.

It starts out somewhat promising and seems like it will be a retro throwback to 90's early 2000's supernatural horror. Unfortunately it also
has all the problems as those low budget movies did. While some of the acting is ok a lot of it is hilariously bad. The practical FX look decent
but any use of CG looks really cheap and poorly done. The story is standard fare and very cliché. It's far to long at almost 2 hrs. and drags on at a snails pace and gets very boring quickly. Woke consists of DEI overrepresentation and the usual feminism. All the white males are either
villains or idiots.

Ben Affleck just doesn't feel "Matt Murdock/Daredevil"-ish to me. In my opinion he just doesn't "look" like the character.
I haven't read the comics, BUT SINCE WHEN DAREDEVIL COULD JUMP FROM ROOFTOP TO ROOFTOP (LONG DISTANCE), LIKE BLADE, OR OTHER CHARACTERS WITH SUPERHUMAN STRENGTH? Dude jumped like he has superhuman legs; even Elektra was jumping SUPER HIGH, and she didn't even have that much training like Daredevil before her debut in that movie! Daredevil sleeps in a "coffin" full of water. Is he a vampire or something?
Race-swapped Kingpin. But Michael Clarke Duncan's body and voice actually worked for the character.
Bullseye feels so weird.
Bullseye killed Elektra's father on the road using Daredevil's baton. Elektra's eyes were open; it all happened right in front of her, but she still thought that Daredevil killed her father! Huh? Bullseye was wearing more glittering dress, earrings, and necklace than Dardevil, and she still didn't see him?

2026 reboot Woke AF

well what do you expect when one of the main cast is full on within the trans movement:
"
American actress Judy Reyes says her 16 yr old trans "son" is empowering the crap out of her. She is proud "he is giving it a try and see what happens."
"

and it shows - the cast aged badly - the jokes aged even worse - and the script is crap

Woke but not the worst...

It's woke but not intolerable. Production did a good job in evoking the feel of an 80s slasher flick, albeit with a modern twist. There are graphic murders (expect an uptick of them in the media) but alas no boobies and less bush than a glacier. So, not very faithful to the source material... Damn.

I dislike the writers' attempts to get us to sympathise with a murderous maniac mom or her mutant whelp but how else do you subvert the morality of the Western civilisation? Drip-feed us until we get desensitised and eventually hooked? Oh well, chivalry will be the first victim so I hope the writers are ready for the backlash.

The anti-heroine MC is Shrodinger's single mom; both an empowered boss woman AND a victim at the same time. It's probably some man's fault that she goes postal but I haven't seen that far yet...

Whilst all the 'baddies' are white male dummkopfs or snarky 'hoes', the competent male, romantic-lead is a patient and understanding black cop - so add miscegenation too. At least he doesn't indulge in ebonics. Oh, and his sister is the plucky reporter being held back... Yawn.

Anyway, if it wasn't for the memories of the original, I'd never endure this tripe but as it is, I'm hoping for a cast TPK. But, like pumpkin-boy himself, it probably won't stay dead.

Even though nothing sexual happened and actresses actively denied the "lesbian sexual themes," it just doesn't feel right to me.
Phoebe released the female ghost, and they almost kissed.
According to the actress, these two female characters' relationship was like "Friends," and Phoebe "mentally connects" to the female ghost easily! They're both facing the same type of mental trauma; that's why they easily "connect."
It just feels fishy to me. What if they actually make Phoebe a lesbo in the future?

Moral of the story: Don't time travel if you don't want a homo brother in the new timeline.

The movie was going good until it went to the "homosexuals are not evil" part.

The absolute state of people who come to power.
Left/Right! They don't mean anything more. They're all corrupt or corruptable.

There was a scene where "cops" broke into a house where two women, almost the same age, were "together" and in kind of "loose clothes," which kind of feels weird. Since in the comics & in the movies nothing specific is mentioned about those women, I'm willing to ignore it.
The movie cut some scenes and cut many scenes from the comics, which is good mostly. Because when I read the comics, there was just "too much politics."
In this case I would prefer this remake movie rather than the original comics.

The rooftop "sex scene" was absolutely unnecessary.