All User Reviews
Discover what our community thinks about the latest movies and TV shows. Browse honest reviews covering both wokeness levels and overall quality ratings.
Showing 1873 to 1884 of 4088 reviews
Changed my mind. Not full of gay miners.
Amber Midthunder runs around calling white people racist and trying to get her land back. That's about as preachy as it gets. She is a Native American actress, so good for her. Actually, I watched this before and thought that I turned it off because there were a bunch of gay miners trapped, but I think that was a different movie. There's so many movies with that going on, I sometimes forget.
It's a fun, wintery cold movie. CGI extreme, but what can we do about that? I recommend it. It's good.
Created: 03-20-2024
So woke I walked out halfway and refunded my ticket
It's smashing all the gender stereotypes! The strong independent gun of an FBI agent random black woman one. Who has a drinking problem and the same personality as a bloke from an 80s cop movie.
She has to briefly check in with her FBI partner while being the workaholic that she is. When he answers the phone of course he's nursing a baby because this movie is smashing down those gender stereotypes!!
The current beekeeper is brought in to try to reign in an out of control Jason Statham. Of course, she's another black woman? that looks like she is on break from a school drag show.
I walked out and refunded my ticket. This was one of the wokest movies I've ever had the displeasure of experiencing.
Do not see this movie. Even for Statham.
Created: 03-19-2024
Woke themes and characters.
Girly Boss that turns from a princess to a dragon slayer in one day, but hold on the dragon is female. No need to kill the dragon, it's a victim of the patriarchy. Let's join forces and kill all the innocent people. Don't forget some PoC who are completely out of place. And men are stupid and bad.
All those spoiler were mentioned in the trailer, so don't get mad at me.
Created: 03-18-2024
The Tourist
A quirky plotline and stark Aussie scenery make the first season watchable. Didn't get past that, though.
Wokies will be pleased by Hollywood's usual over-representation of blacks (plus grossly obese females as a bonus) among the cast.
And yes, the white male roles have a monopoly on stupidity and evil.
Created: 03-16-2024
Starts off groundbreaking but later weakens its grip
Supernatural begins in a way that would be groundbreaking today. It has 2 white heterosexual young brothers with unabashed masculinity born into a family legacy of fighting the supernatural and travel the country doing so. They live the life of warriors and along the way flirt with romance, tragedy, humor and extreme PTSD..
The show always had a diversity of characters (minorities, women, gays) but it felt very natural in the first 3rd to 2/3rds of the show.
After that bad writing and a caving to certain niche fans begin to seep in. There was even a demand to throw characterization out the window and make one of the brothers turn gay. Fortunately the creators didn't cave to that one but threw them a bone by making an angel gay and secretly pining for the brother.
They also begin to cave to the notion that masculinity and toxic masculinity are the same thing and started tossing in young female fighters in an unnatural way.
They also steered away from the brothers and any romantic entanglements because some young fans got jealous and hated on the actresses.
The writing became more and more simplestic and all mystery was eliminated, villians neutered and characters more and more behaving out of character.
These different aspects they suddenly felt compelled to include contributed to the downward spiral of the writing. And then again, 15 years is a long time. Almost a lifetime from young men to knocking on middle age.
Everyone has different opinions but I found it underrated for s2-5. It became a prime show during these years with its blend of tragedy and humor and outstanding characterization . Season 1 was set up.
Season 6 through maybe 12 was still sometimes brilliant but other times
mediocre and tedious.
Seasons 13-15 are nearly unwatchable for me. No magic exists any longer.
Created: 03-16-2024
A vacuous, feminist girl power fantasy that falls into droll idiocy
Poor Things runs the gamut of coming of age story to borderline pedophilia apologetics. While I cannot recommend watching this film, it's director Yorgos Lanthimos has done a lot with the source material. Poor Things is a film version of the same-named first book of the series that tells the story of our protagonist Bella (Emma Stone) from the prospective of Max McCandles (Ramy Youssef). Somehow the film manages to promote post-modern fifth wave feminism beliefs through anatavistic fetishism of the female body, Poor Things' cinematography for the entire film could be less charitably viewed as an exploration of The Male Gaze.
The first two acts are quite entertaining and light hearted. We slowly learn the horror of Bella's existence and origin story, the proverbial God (Willem Dafoe) and his inhuman experiments on the recently dead. In twenty minutes, Bella grows from infant to teenager, from catching a ball to catching venereal diseases. At it's core, Poor Things is a feminist power fantasy with quite a bit of character development along with a spectacular Victorian steampunk backdrop.
As Bella runs off with Duncan Wedderburn (Mark Ruffalo) to explore the greater world, the film goes into a blender of original, inspired story telling and post-modern male hating effigy burning. The line running through the second half of the film can best be summarized as: the only way a woman can find happiness and freedom in this world is by selling her body for money and be happily alone ever after. Bella is naked for about a quarter of the movie with graphic sex scenes and various sundry along the same lines. She cultivates a clinical appreciation for sexual appetites during the final act of the film, but the dissonant tone is as conflicted with reality as the texture of the scenery is absurd.
Yorgos did a fantastic job of making this degenerate drivel into a fun and entertaining film, but I cannot recommend it for casual viewing.
6.5 out of 10 anonymous johns who knock your teeth out for fun.
Created: 03-16-2024
How did this series happen?
Yes, the blacks in the film are all positive characters. Failure and stupidity, as always, are owned by white males. How else could the series appear on Netflix?
But this aside, the series is genuinely funny and difficult not to binge watch.
Created: 03-13-2024
Worth watching
Underachieving white girl from well-to-do British family apparently sees black men as sexy above all others. And wants us to know it.
But she's otherwise quite often funny.
Created: 03-13-2024
Could they have picked a female lead less true to the novel?
One finds it hard to imagine the male lead focusing so intently on anyone so plain, in face and form, as she who was selected to play the role Anne Hathaway mastered in the 2011 version. After Episode One I'd had enough.
But Netflix sees as its duty the determined subjection of viewers to wokery. And an all-white cast apparently could not be tolerated.
Created: 03-13-2024
Great at first. Somewhat predictable thereafter.
As with nearly everything the film industry produces, this popular series was adapted to promote Lefty views: including in this case the BBC's own hatred for Winston Churchill, hitherto a hero almost without equal.
But then there's also a hilariously unlikely black 'preacher' who pops up to talk sense to white, working-class mobsters. In 1920s England.
Created: 03-13-2024
Entitled Feminist Ruins It
All the usual feminist garbage. A stupid amount of DEI hires and mixed race couples. All the men are stupid sexist and racist. The acting is ok and there are some actual funny parts but the lead character is just so annoying, entitled, and unlikable. She's supposed to be 34 but acts like an idiot early 20's moron and uses every stupid social media and leftist buzzword you can thing of. She's just so irritating and punchable It ruins the entire movie.
Created: 03-13-2024
feminism detected
watched until 50% of the movie
feminist elements that i detected:
in the start of the movie the duo of friend cops is presented as incompetent witch gains them a demotion.
while working demoted a black woman continuously assaults the black cop while on a high speed chase ending with her kissing him in the end even after he informed her that he is married
the duo is capable of detecting one of the main bad guys with the help of a friend, the villain is able to escape
the friend that in the past movie appears just to be a agitated guy is presented as more feminine in this movie with brinks and etc.
the duo is forgiven by his boss without explanation and get re-promoted to what they were before(patriarchy representation most likely)
the duo gets separated and the white guy ends up working with a female cop the female cop since the beginning is not respected by both cops in the history, is said that they don't respect her because she is a cop of the cops, she also is able to defeat villains not by using her whits, gadgets and ability's, but by punching them in the face, like a real man would do.
Created: 03-13-2024
