All User Reviews
Discover what our community thinks about the latest movies and TV shows. Browse honest reviews covering both wokeness levels and overall quality ratings.
Showing 2077 to 2088 of 4269 reviews
Turn the brightness up. Wait. Forget it.
This film is filmed at night. In the dark and I'm not talking about the DEI couple, their "hinted at" lesbian daughter and other nonsense. It's terrible. I wanted to get over the mixed race couple and everything else propaganda related, but I just can't. Let me say: There's absolutely zero reason for this movie to not have a full black family, full white family, Chinese, Indian, etc. End of story. The best part is, the white husband is like, "I got a gig to play" around 15 minutes in and he just disappears for the rest of the movie to leave us with the black matriarch solving crimes. At least the cinematography, ugh, lighting sucks so bad that it's hard to even know what's happening.
And Imaginary lives up to it's PG-13 rating. No real kills and mild drug use. I think I lost so much interest that I couldn't even tell what was imaginary and what was not.
Created: 04-04-2024
Incredibly Racist
Metoo. Insane amounts of racism. Gay characters. This is terrible. Every other joke revolves around white hatred or black victimhood. No surprise this was canceled after only 6 episodes.
Created: 04-03-2024
3 Body Woke
I heard good things about this, especially the opening scene about the Chinese Cultural Revolution and the Red Guards, murder and mayhem. A cautionary tale for our times. Imagine then only to discover the show is chock full of identity politics and DIE casting. Its so bad at first I thought it was a satire. If you like your Sci Fi apolitical, avoid this shite.
Created: 04-03-2024
A Bit Of A Disappointment But Not Bad
No woke at all. Acting is pretty good but it leaves a lot out and makes a lot of changes from the novel. There is very little horror and even then its watered down as is expected from a 1979 tv movie. Still worth a watch but if you've read the book it is a bit disappointing.
Created: 04-03-2024
Bad male reference for kids
beta man goes on a journey to defeat all ex "boyfriends" of independent blue hair woman so he can prove himself worth of her sexual antipathy reproductive organs.
Created: 04-02-2024
Awfully WOKE for a show based in the early 90’s
In the beginning of the season, it was funny, had a lot of sarcastic jokes, typical Seth MacFarlane wit. The first five episodes had hints of todays issues and politics and the characters had to go out of their way to ask if something was “racist” or “sexist”, I shrugged it off because it was pretty funny and I was enjoying it.
Everything changed with episode 6.
Episode 6 was what made me turn it off with no possibility to ever turn it back on. Pain in the behind, thinks she’s smarter than everyone, thinks she’s owed everything, you know, typical Liberal feminist college student, has to throw around 2024 buzzwords, make her gay and lame while talking about how people who aren’t white need to be handed everything and that she demands that unaccepting characters NEED to accept that she’s gay and they are Nazis if they don’t.
The show from that point on is just another way to shove woke garbage down our throats. I grew up in the 90’s and race wasn’t something people thought about on a day to day basis, unlike today.
Oh btw, they made a talking toy truck that was gay and drove away with a rainbow flag on its bumper. That’s when I turned it off. Show was horrible. Everything WOKE turns to 💩
Created: 04-02-2024
Awesome, but a bit too ultra-feminist
This was a very well done movie and told an incredible story based on a true story. It's great that it portrayed the story of a woman that did a lot of great things; however, it was agonizing how the movie had to keep blatantly reminding the audience that she was a woman, which oozed with the woke ultra-feminist "women are better than men" feel. I get that women weren't treated very well back then, but that message was over the top and unnecessarily pushed too heavily. I wanted the message to be about her great accomplishments, not what her gender was. It was otherwise a really great movie and would have been a 5/5 Overall Score and 0/5 Woke score without the heavy feminist message.
Created: 04-01-2024
They Almost Kissed
**Spoiler Alert**
First I want to say this is a fun movie and I really liked it however they did interject a woke romance between 2 young girls.
15 year old Phoebe Spengler (Mckenna Grace) meets a 16 year old female ghost named Melody (Emily Alyn Lind) and they form a friendship but as the story develops it becomes obvious that it's more than a friendship and there is a scene where they almost kissed (so glad they didn't)!
If you can get passed that part of the story line you should enjoy the movie.
Created: 04-01-2024
What a waste…
One of the best TV show for young peoples as well as being very enjoyable for adults.
I am not a huge fan of the universe but it is asian “medieval” fantasy which is always interesting to see.
Besides I have huge sympathy for this setting since it has been so badly mauled by the wokies. Being awfully racist they are crazy about it being a “white free” universe and added a filthy layer of modern ideology to the lore after the initial show was released.
It just makes me sick…
Created: 03-30-2024
A Classic that Predates Woke But Espouses Progressivism
This is easily one of my favorite movies. I am a huge fan of Stanley Kubrick, but I have to call out the progressive ideals of such a revolutionary and notable director.
As with many of his films, Kubrick intended to highlight certain tendencies in this movie. In this case, it was the concept of a conservative, authoritarian government that would punish even the protagonist of our story to forced propaganda. It was, as some consider it, a right-wing fascist state, but these are terms best left for the academic and over-institutionalized. In reality, what Alex experiences in this movie is the definition of a collectivist totalitarian leftist state. His urges are dispensed of, at least theoretically, while his anarchistic nature is still in play, despite the mind control he experiences.
Make no mistake: This movie is leftist and built on the idea that behavioral modification is a right-wing tactic. That said, it predates the modern "woke" idea by over 30 years. It portrays a sociopath who is, in some ways very right-wing, but in others, very left-wing. The promiscuity and attacks upon the rich are deeply rooted in leftist ideology. The rejection of authority and creation of a gang independent from neo-London's oppressive rule are certainly right-wing. Overall, though, it is vey much a siren song to the equity-seeking left. Despite its very adult themes, A Clockwork Orange is a cautionary tale against the centralized government in that those in charge will use whatever means possible to change those who fight the system.
This is a movie that explores anarchism well, and finds it lacking. Whether you're a left or right anarchist, it is against absolute freedom, but it also fights against the the idea of control from the government. It is a movie built upon the idea that you should make your own decisions. For that, I applaud it.
Created: 03-29-2024
Uniquely Woke with several redeeming factors
"Supernatural" is a near-classic part of TV history at this point. The seasons progressed from a fairly-standard sci-fi monster hunt, akin to X-Files all the way to an existential crisis in latter seasons. Jensen and Padalecki absolutely nail their respective characters, growing into them over the over-decade long run. Sam and Dean are the sons of a paranormal investigator slash hunter who inherit his skill and natural talent.
Unfortunately, as the seasons go on, we find more and more blasphemy, going so far as to mimic the Kevin Smith "Dogma" approach to God as an absent child with power. Eventually, we run into "God" as a demiurge as is consistent with Masonic beliefs. He is little more than another piece of a creationist puzzle and relegated and limited by his status as the Demiurge. This concept of God is in-line with the more Masonic concept of a universal architect with flaws, rather than the pure and perfect God of Catholicism and protestant faiths.
There are several moments of "girl boss" fervor and of course, the typical "sympathy for the devil" tropes, but at least the latter is largely assuaged by showing Satan to be quite the ass. This is despite the Winchesters giving him a chance. The issue is, we're also inundated with the trope of "evil angels", and of course, the "false paradise" where being good and going to heaven just means you're stuck in a positive-reinforcement which enforces your biases, rather than becoming content with being in the glory of God.
Regardless, I give credit to the writers for depicting Satan as a tempting being but still untrustworthy and ultimately evil. Unfortunately, they also portray God as the kind of skeeball-loving limited being that Dogma did.
Still, a really enjoyable show, despite the latter seasons becoming very repetitive and bland. I would recommend it to others, particularly the early seasons, as the visuals are incredible. It is worth watching for certain, but just be vigilant for the heretical and obviously anti-Christian vibes especially in later seasons.
Created: 03-29-2024
Riding on the Shoulders of Giants
Having watched the first 3 episodes of X-Men '97, I can say that it is a fairly true-to-form continuation of the original cartoon series, though it has introduced some irritating elements.
First, I want to assure everyone that Morph's "gender identity" isn't referenced in the run of the show (thus far) but the "they/them" is played out in the credits scenes with the 3D renders of the characters, a holdover from the original show.
What is included is a very clear, unsubtle same-sex attraction from Morph toward Wolverine. In a scene depicting hidden fears and desires, Morph's hidden desire for Wolverine is exposed, showing that he is attracted to the century-old mutant.
There are some good progressive things happening here. Woke isn't ALL progressivism, after all. Jubilee's character model better depicts an Asian face, as the original did not. I think this is a good thing, as her character is the child of two Hong Kong immigrants.
Now we need to talk about some of the subplots. Surprisingly, Magneto's origin story is glossed-over, effectively alluding only to his "people" being oppressed in the past. Very vague and seemingly an attempt to distance the character from his WWII origins. Still, it's an "if you know, you know" moment, and that's fine with me.
Rogue develops a bizarre and rather sudden attachment to Magneto, which is even more uncomfortable due to the character design giving her a more teenage appearance while Magneto's age is clearly pushing the century mark.
There is a brief scene of Gambit in a crop top and an atypical (for the time period) hairstyle, but I can excuse this easily by saying that the writers and artists are likely too young to have even experienced 1997. There's a conflation with the 1980s that is unmistakable.
The animation is quite fluid. It's almost jarring for a continuation of the 1990s series, but admittedly somewhat welcome. There is definitely simplification, but the cheap tricks used in the original series are thankfully not utilized here.
Back to Morph, though. His comfortability in a feminine form to jokingly influence fellow team-members, particularly Wolverine, is a little disconcerting. This is where the "woke" tends to come from.
Overall though, the storyline is consistent with the original, as they're both vaguely following 70s-90s era X-Men comic stories. Episode 3 is particularly interesting due to the introduction of a character whose origin is different in the comics, but still handled well for such a short-form medium. The inclusion of the "Friends of Humanity" made up of almost exclusively white characters leans heavily on the "white = bad, others = good" trope, but the mutant team itself is led by a white man, so I'm calling no-foul on this one.
There's surprisingly little ethnic diversity in the first three episodes. Storm and Bishop are the main "people of color" while Jubilee is more accurately rendered, but most of the characters are actually white, as is reflected in society and in the initial representations of the characters.
Overall, other than the aforementioned "non-binary" idiocy of the Morph character, the inclusion of a native character at the end of the third episode (I know who he is but I'm trying to not spoil), and extant characters from the original show, X-Men 97 so far has been both fairly entertaining and lacking in woke pandering, at least as far as it being pushed.
Overall, it succeeds despite its flaws and as is often the case, isn't nearly as woke as advertised. It still has some serious flaws, and I can understand not wanting to get into it due to them. Still, it scratches a nostalgic itch fairly well, redeems a character thought overly pushy (Cyclops) into a place of genuine sympathy, and realistically adapts some of the most dire and interesting storylines of the 80s and 90s comics, which was the purpose of the original.
There are absolutely some themes already explored in other media. The live-action X-Men already covered what happens to one character very well, and the core concept of the show remains largely unchanged. The power shift presented is ridiculous, but it's comics and not at all unheard-of.
In the end, it's worth a watch. I wouldn't suggest subscribing to absolutely woke Disney+ to see it but there are other options and it's still fairly in-line with with original cartoons so far.
Ultimately, I find myself wanting to see further episodes due to the structure of the storytelling, which is a good sign. You may as well. I do not fully recommend watching it, but it isn't so distant from the source that you won't enjoy it.
There are absolutely scenes of very abstract sexuality that might not be suitable for kids though. Just beware and watch this without the kids before you decide to let them see it.
Created: 03-29-2024
