All User Reviews

Magicians with CGI

Since this review is getting hammered for not accounting for Ariana Greenblatt's unrealistic girl ass-kicking, I took another look and have to say maybe I've been too forgiving on the girl action stuff. Plus, Ariana has a one hell of a resume full of ultra-woke films. I'm looking at you, Barbie and Borderlands. So I take it back.

I missed the first two films, likely because I don't dig magic. Like, a magician will use anything they can to trick their audience, including CGI. Just like in this film! Fortunately, my somewhat dislike for magic didn't keep me from watching this. I didn't know anything about the gang, what they did or even that they were actually magicians. Can't say I even heard of the first films in this franchise. Strange.

Now You See Me: Now You Don't is kind of a fun movie and I liked the crazy overarching trickery plot that went on. Woody Harrelson is cool, but I kind of felt bad for him in this movie since it seemed like he didn't really fit the role. Maybe he's running out of opportunities. Jesse Eisenberg isn't my cup of tea, but he fits nicely into the fast talking role he plays, so that's cool.

Not woke at all

This isn’t woke and it has nothing to do with those DEI policies that were already scrapped. There’s no forced storyline and no misrepresentation of characters. The only thing said in another comment is just what anyone might assume, since the character is pretty androgynous. So anyone could say that.
So if you like the show, go ahead and watch the movie without worrying.

Enjoy!

This film is a confusing mess run by has-beens

Not many films confuse me as much as Killing Mary Sue. The plot is confounding. It's so terribly bad, all over the place, and all the characters are so especially unlikable that my brain is going to melt. A review on IMDb says it's a film full of has-beens and I agree. Worthless has-beens in an unfunny not-so-dark comedy.

I'd say it's woke because Sierra McCormick is a sex-starved BDSM ass kicking bitch, but who the hell cares? She could be riding a unicorn along with a dozen rainbow covered lesbians and it wouldn't make this film any worse.

This film thinks it's subtle and comedic and it's not. It really is a much lower offering then the movie Becky. It's an indie film by filmmakers telling themselves they're the wittiest folks in the room.

I cannot even explain how much I hate this film. It's so bad.

Typical teen slasher with a heavy dose of woke.

SPOILERS AHEAD:
All major characters female. Most men are evil. Main character breaks up with straight white male to be lesbian. Ignores all time travel dynamics which is the "premise" of the film. It's the equivalent of todays woke indoctrination after school special. Super cheesy.

Great show

Besides only one n***** priest character shoehorned in the last season whom is a minor character who does basically nothing, added perhaps to appease their jewish producers and their woke minions, there are no woke elements in the show.

The show remains as faithful to history and the books as it possibly can.

100% recommend!

More woke trash!

Every episode is either virtue signally, feminist, or man hating garbage. The original Law and Order had some woke non nonsense but actors like Noth, Sorvino, and Orbach balanced it with tough manly character. Even in later seasons Martin and Farina kept the testosterone up. In this Law and Order reboot I got to the 5th episode I had enough!

Complete woke trash!

The constant rewriting of history to insert feminist delusion is infurtiating! Women were never gladiators! Men are bigger, stronger and faster than women. They are better then women in ANY combat situation or ANY sport. To have a black women as a gladiator against men is pure stupidity! The original Spartacus series was fantastic! This series is complete garbage!

The Wish of Wokeness Permeated

Puss in Boots is made into more of an irresponsible hero for a few reasons that if removed, would not make the story possible.

By making him a fool, whose life is now in the balance thanks to using up his eight other lives, the writers can make Kitty Softpaws a typical aggressive feminist and “righteous” heroine. SPOILER ALERT- a main point of contention with this argument is the fact that Puss left Kitty on the marriage altar, leaving her angry and heartbroken, but then she reveals she never showed up either. So, what is the point of being angry upon reuniting if both of them neither showed up?

Second, the choice of adding an “emotional support dog” voiced by a queer man makes this a poor choice to cast and merely an excuse to add diversity. On top, adding a mentally messed up dog and presenting him as “emotionally pure” don’t mix.

Finally, while the Shrek franchise doesn’t shy from making artistic choices with fairy tale characters, presenting an impromptu crime family as sympathetic, given it is the feminist human leading them only adds a feminist rapport that is already propped up by Kitty Softpaws.

A woke modern Christmas-less action flick

It has all the looks and set pieces of a Christmas movie, but it doesn’t feel like one. More like an action film clothed in Christmas clothes.

While it is dubious as to whether to cast the Rock as the main character is not based on DEI decisions, the choice to cast Lucy Liu as MORA Director Zoe Harlow can definitely be seen as a feminist appeal casting. The character Zoe acts as a domineering mean woman boss to even those who have the option to become nice such as Chris Evans’ Jack, no matter how little it was written.

Featuring Krampus does not bring a certain festive feel to a Christmas movie and even putting a light tone on Krampus’ characterization and relationship with Santa Claus is not in line because Krampus and his “holiday” is the opposite of Christmas. It is more likely that it is a “diversity holiday inclusion”.

Sort of a R-Rated Home Alone meets die Hard

I didn't think I would like this. I was wrong. The interesting back-story on St. Nick was good. The powerful matriarch was portrayed as greedy, self-centered and thieving. The mixed race marriage was probably some form of DEI casting, but it was incidental in the story. There was a female commando kicking butt. The wise hero was a mixed-race little girl. there was no noticeable agenda in the woke elements. I gave it a half tick, rounded up for the wokeness meter.

Funny. Fans of Melissa will enjoy it the most.

It's hard for me to find enjoyment in movies that feature marriages broken up by trivial issues. I could never get through Mrs. Doubtfire for that reason. A man gets caught up with a crisis at work, misses his daughter's 8th birthday party, and his wife leaves him over it. The bad guy is a middle-aged white guy who fires a black employee with much humiliation.

The best part of the movie is Melissa McCarthy doing what she does well. The situations are forced, but humorous. Don't expect too much, but it's not bad.

I really don't know how stuff like this gets funded and released. It's like a bunch of friends took an iphone and shot a movie with virtually no
budget, then rendered in some not so special FX using a laptop and blender. The acting is not very good though some of that can probably be blamed on the bad jokes, the VFX are laughable, every joke goes on forever and the director doesn't know the meaning of subtle humor. There are some jokes that would be mildly amusing but they just don't know when to stop. Actually the whole movie feels like an SNL skit that's not really working but they decided to go ahead and stretched it out to 100 grueling minutes. I stopped around the 45 minutes mark and I could of sworn it had to be almost over. The only real woke would be maybe some DEI and the fact that out of the 3 main characters the 2 males are pretty much dumb as nails and the female is the only smart one.