All User Reviews
Discover what our community thinks about the latest movies and TV shows. Browse honest reviews covering both wokeness levels and overall quality ratings.
Showing 409 to 420 of 3893 reviews
Good and funny
I watched the dub version and I think it makes it even better because of the voices. The jokes and actual fighting are great, if not a bit hammy in parts, for the comedy. also this is one of the first movies where Jackie chan was one of the leading characters.
Created: 08-09-2025
Straight, White Male? Oh No!
Within the *literal* first minute of the film, a straight, white, male lab tech—Hollywood’s favorite new whipping boy—fumbles his candy bar wrapper into a security vent, short-circuiting the system and triggering a catastrophic containment failure. Naturally. Because nothing screams “credible plot device” like reducing the sole representative of the so-called patriarchy to a bumbling idiot for easy narrative blame. Why not heap the failure of an entire facility onto the lowest rung of today’s victimhood hierarchy while you're at it?
And then there’s the door itself. Of course, containment doors—famously known for their totally realistic air vents just waiting to suck in trash, because that’s what high-security labs are all about. And naturally, anything that gets sucked in—say, a candy wrapper—would *completely* disable the entire mechanism. Because in this universe, billion-dollar safety systems are apparently engineered with the fragility of a toy from McDonald's.
Oh and his female colleague has to leave him trapped with the Distortus-rex he's just loosed so he can be the first to get eaten. As the jaws crunch I bet he's wishing had been born a dyslexic, black, trans women with a handicap. Then "she" would have waltzed through the whole movie.
Oh, and don’t even get me started on the film’s heroine, a so-called “spec-ops” soldier—because when I think elite dinosaur-slaying badass, I *naturally* picture a 125-pound Hollywood starlet with contour-perfect cheekbones and the physical presence of a yoga influencer. She’s not just surviving prehistoric death machines—she’s outwitting, and outpacing them in boots that wouldn’t survive a puddle. And of course, she’s not following the grizzled, muscle-bound male survivors—no, *they* need *her* leadership, *her* brilliance, *her* steely-eyed resolve to survive. Because in this cinematic fantasy, evolution bends to the demands of gender optics.
And of course, no modern blockbuster would be complete without a shoehorned “diverse” family to round out the studio’s DEI bingo card. Enter the token Hispanic family—dropped into the plot with all the subtlety of a corporate PR memo. They contribute nothing to the story, have no meaningful impact on the outcome, and might as well be wandering in from another film entirely. But hey, they’re there, and that’s what matters, right? Representation for representation’s sake. Go Hollywoke!
Created: 08-08-2025
Finding this little gem of a film and must comment
I re-watched the original "The Craft" movie and decided to watch the 2020 remake, "The Craft: Legacy". What a treat. Woke before its time. I said to my wife, "who's that ugly linebacker in the coven?", not knowing the actor was a trans anyhow.
To be honest, discovering the trans actor coupled with a sad, old, out of place David Duchovny, I somewhat forgot about all the other propaganda stuffed in this movie, but it is there. We can use this movie in our documentary, "the evolution of wokeness". That would be fun.
Created: 08-06-2025
More like this, please!
Kudos to everyone involved in making this! The movie has an agenda and it's aimed at children. Remember when that was a good thing? It's back. The children are targeted with advice like: Don't talk too much. Don't be a bully. Listen to what other people have to say. Respect each other. You know, that kind of agenda. I'm all for it. The movie itself was top-tier, animated comedy. There is nothing second-rate about it.
Created: 08-06-2025
It's Adam Sandler. What do you expect?
I really liked this movie up until it got over-the-top silly. The cameos were great. It was a real laugh-out-loud movie until the final showdown tournament. There was no agenda. It's remarkably similar to the time they tried to make a sequel to Caddyshack. It's worth watching, but don't expect too much. I would rate the first half of the movie with 5 and the second half with a one. That makes it a 3.
Created: 08-06-2025
Best to Avoid
*Spoilers*
I’m 4 episodes in out of 6. The black female detective has just said “the world is full of men who think they’re owed everything because they’re male and pale.”
Previously, a black female character said that black ancestors were all heroic warriors.
All white male characters are presented as deeply flawed, psychotic, immoral, terrible fathers, cheats, evil, lost, sexually impotent, or incompetent at their work.
A white male American right winger who is a prepper dared to criticise affirmative action and in the next episode the black female detective breaks multiple laws including breaking and entering to shoot him in both legs and it’s then celebrated and of course she gets away with it.
The two characters that figure out that the white male lead is an evil psycho are a black female and an Hispanic male (who because he’s male is also an alcoholic, pervert and mentally broken).
The only character that isn’t broken by their past is a black female.
The black female detective is described with the white male epithet of a “knight”.
The only reason this doesn’t get maximum marks for wokeness is that one of the arsonists is a black male, so at least that one aspect goes against the normal anti-white messaging.
Created: 08-05-2025
It's pretty and empty
First, it's visually quite satisfying, maybe a little over the top.
It should be: Besson is the incarnation of style over substance, and Mezieres, who drew the comics this was derived from, is up there with Moebius. Valerian (the comic) inspired Star War's visuals, Mezieres worked on The Fifth Element, and so on.
On the other hand, Besson probably thinks Avatar has a deep and meaningful political relevance. So same here: thin, lanky aliens living in a Rousseau-esque, good savage utopia, laid low by the evil of white man and capitalism. Oh, and the power of love. Wouldn't have seen that coming.
It's a French comic from the 70s, and the French are either world conquerors or communists. And well, by the 70s, they had stopped conquering.
Thankfully, the actors don't lean too much into that. DeHaan has a good grip on the character: be unremarkable, somewhat charming, and appear bumbling and inefficient, despite getting obvious elite results.
Delevingne (WTF? Prob French name bastardized by the Brits) seems actually pretty OK as an actress, but far out as a person. Even playing a role, she reeks of the danger zone on the crazy/hot matrix.
Her character is a somewhat tentative girlboss: she bosses her male partner around, but she gets damseled most of the time.
Actions scenes OK, lead chemistry OK, plot MIA, well-meaning (as in, useful idiot) socialism all around.
Meh.
Edit: just 'membered, comic Laureline's a green-eyed redhead. So, basically a Celt. At least she didn't suddenly turn black. Red Heads Matter!
Created: 08-05-2025
For fucks sake
This started off very good, was really getting into it. Full of mystery, makes you think etc.
Suddenly in the 3rd episode faggotry pops up to ruin it. Thought it being from 2009 it wouldn't have that shit.
Fucking cunts ruining a good show with this nonsense yet again.
Created: 08-05-2025
Woke obsession ruins good plot
They changed a story based on good books about a female cop into a woke Olympics. From the overtly gay team member to the constant reminders of how bad men are… they didn’t waste any opportunity to shove another woke theme into the plot. Ruins the show. Which has promise, like all of Michael Connelly’s writing does.
Created: 08-05-2025
