All User Reviews

A brave late night host.

It's impressive how long he has been in the industry without turning him total woke. It is adult humor, and funnier some times than others.

Pathetic

His career started good but ended as a compleat sellout, a puppet for the leftist agenda.

Really enjoyed this

Demographically accurate to the setting. I didn't catch on anything gay or woke

why tom

just why

The movie is leaning a little WOKE!!

In my opinion, the President of the United States in this movie is a Black woman. I believe this portrayal comes at a politically sensitive time. All the female characters are portrayed as superhuman, able to fight military men, which I feel is unrealistic since women generally can't match men in combat. I’m a fan of Tom Cruise's movies, but this film has lowered my opinion of his future work. I’m tired of Hollywood pushing a WOKE ideology down my throat!

Pretty Woman on meth

Anora is a stripper in a Brooklyn bar. One night, one of her customers is Ivan, the son of Russian oligarchs. Ivan takes a shine to Anora, offering her a mountain of cash to become his "sex friend" for a week. The young girl discovers a world of insane luxury and non-stop partying, and the couple head off to Las Vegas to prolong the fiesta, where Ivan decides on a whim to marry Anora. When her parents, who had stayed behind in Russia, heard the news, they were furious and asked their man of trust, Toros, who had moved to New York, to "restore order to the chaos" and break up the marriage... How would Anora and Ivan manage?

In "Anora", the director focuses on a different kind of ‘sex worker’, this Anora who suddenly finds herself embracing a Cinderella destiny. The irresistible charm of Sean Baker's cinema lies not so much in the originality of his plots as in the affectionate, non-judgemental way in which he looks at his characters. In ‘Anora’, all the protagonists are endearing. First of all, of course, there is the young girl, who is inevitably a little venal because she has no desire to remain a stripper for the rest of her life. Then there's Ivan, a young daddy's boy who's as sympathetic as he is immature and irresponsible, and who spends his parents' inheritance from the other side of the Atlantic on his own in his big villa. Then there's Toros, the henchman, totally overwhelmed by events, and flanked by a Russian accomplice, Igor, who is much less of a brute than he seems... All these characters are played by actors who are little known in our country, but all of them are absolutely terrific, starting with Mikey Madison, who is unforgettable in the role of Anora, a role that will very probably earn her a few handsome awards.

Film review by Hugues Dayez.

Not for the claustrophobic !

First fascinating aspect of that film was the insight into the daily lives of those who work in one of the most dangerous jobs in the world: saturation divers. It's quite a mind-boggling job, and not at all well known, it's true. These divers work on underwater pipelines. At the bottom of the sea, there are 32,000 km of pipelines to monitor, repair and weld. I would compare them to astronauts in the abyss. Because they work at such great depths, to avoid decompression accidents, they live on a boat but in caissons, pressurised capsules for several weeks. They sleep, eat and live there. Just long enough for their bodies to get used to the pressure so they can carry out their dives. It's an extreme job, as technical as it is dangerous, requiring impeccable physical condition, a mind of steel and a hell of a lot of composure.

‘Last Breath’ plunges us - quite literally - into this extraordinary world. The film recreates the oppressive atmosphere of these missions. The darkness, the silence, the weight of the water, the amplified mechanical noises - it's a total immersion in a world you'd never suspect. And it raises real questions about life, death, solidarity and our relationship with risk. A human adventure film, in the deepest sense of the word. But clearly not for the claustrophobic !

Film review by Hugues Dayez

An invitation to travel

From her birth in the 1950s to the present day, the life of Parthenope, a woman as ravishing as she is intelligent who electrifies all those lucky enough to cross her path, resembles a long and fascinating emotional journey. A fierce lover of freedom, she searches for happiness and love on the outskirts of Naples, a magical city that opens onto a whirlwind of passions and mysteries...

After Rome in ‘La Grande Bellezza’, Paolo Sorrentino declares his love for the city of Naples in ‘Parthenope’, a new Fellini-inspired work of hypnotic beauty presented in Competition at Cannes in 2024. Haunted by the legendary myth of the mermaid, this allegorical tale of apprenticeship and solar disenchantment magnifies in excess the quest for self of a woman experiencing life without ever escaping the gaze of others.

In the role of the bewitching and heroic Parthenope, the young Celeste Dalla Porta is the film's dazzling revelation. Alongside her is a deeply moving Gary Oldman as the fallen writer.

A true declaration of love to Naples

Film review by Hugues Dayez

This has a surprising amount of modern feminism in it. The female lead in the opening scene screws up and gets fellow soldiers killed and
is demoted while we are still told she is one of the best. Then suddenly and for no real reason is just placed as the only female on the
all male team to train to operate mechagodzilla. After an odd training montage that appears to be basic training and nothing to do with actually operating the Mech we are told she is the best of team and will operate the Mech. She is the best at everything, even hand to hand over the male soldiers. Her acting is pretty bad and she mostly just walks around with resting bitch face. The story seems to ignore the original mechagodzilla movies and pretends they never happened.
The FX again are a mixed bag with the miniatures looking better than the very fake looking CG and bad green screen. Mechagodzilla looks like a large plastic toy. The practical FX do look pretty good and there is a fair amount of action if you can take the obnoxious lead female there is some entertainment to be had.

I only lasted about 15 minutes into this but there was nothing woke at that point. How this currently has a 5.9 in IMDB is just proof of fake
ratings. This is typical no budget amateur film school slop. Terrible acting, sound, editing, FX, dialogue and everything else. It's desperately
trying to be an 80's style slasher but fails miserably. Why would you make this over 2 hours long? Cut this down to a fast paced 80-90 minutes and make you bare bones budget go a little farther and you might have a watchable film.

<3

SMITHERS IS GAY!!
LENNY AND CARL ARE *PROBABLY* GAY!!!!!
PATTY IS A LESBIAN!!!!
I LOVE THE SHOW

literally just read the description -_-

i've never seen the show :)