All User Reviews

Marvel Studios may be coming back

I don't think anyone will ever repeat the chemistry that was between Thor, Rogers, Stark, Strange and the rest. Thunderbolts is in the shadow of one of the greatest franchises ever created. That's a high bar. The bottom line is, this is worth watching. It's got the same action/comedy/drama ratios as the Marvel movies we all love. As far as Wokeness goes, it's there. I read about gender-swapped characters. I found one. According to Wikipedia, Ghost was male in the original story. That's a woke element. The other female member, White Widow, was female in the original. Also, Dreyfus' hated character was in the 1960's Marvel comics as a leading member of SHIELD. That may be a woke element, but it's true to the original story.
If I were to rate this in comparison with the Marvel Studios Avengers franchise movies, It would be somewhere above Black Panther and just short of Ant Man. It's definitely above the second and third Ant Man flicks. This appears to be the first Marvel project for Director, Jake Schreier. Like I said, the bar was set high for this project. He did well.

Decent legal drama

Overall it's a decent series except that they had to insert some woke feminist gender swap. It is so infuriating that these woke feminists aren't talented enough to write their own novel but instead have to steal someone else's story and put a woman into the males role.

DEI, LGBTQ and White Bashing/Groveling

Where to start? Jake, Law’s character, spends the show groveling to every woman around him—especially his black female co-star. Enter Roxy: the uppity, black, girl-boss in the kitchen, who's in a gay and biracial relationship of course, and apparently the only thing holding Jake’s life together since, as a straight white male, he’s incapable. She can't stop complaining any time Jake doesn't do exactly what she tells him. Then there’s Cleopatra "Duck Lips" Coleman who's Jake’s “prize,” because God forbid we don’t have an interracial couple.

Bateman’s Vince? A bumbling man who can get his act together—naturally, since he’s straight and white. The villains? White, too, with a deaf leader for extra box-checking. Every DEI / LGB square gets ticked. Black male characters? Rich and virtuous. They even squeeze in a #MeToo subplot with Jake’s white friend revealed as a rapist though the victim heaps much of the blame on Jake. And what's with Jake's son, Hunter wishing for ballet tickets for his birthday? Really? How many gay characters can you shoe horn into a mini series? That's 4!!

As soon as everyone can, they start betraying Jake who's only ever been extremely nice to them. Everyone around him is a back-stabber.

There's a police presence in several episodes. Of course the detective is this quite mannish Asian woman who is after Jake and no one else. In this world white men are either bad guys or inept.

By Episode 4, the message is clear: bash straight white men, elevate everyone else. At this point, I’m just waiting for the inevitable trans character cameo.

Wow what a huge letdown after the first one. I can't believe this is the same writer and director. Why would you take a dark, serious, thriller action movie and make a goofy comedy sequel? The characters aren't even the same. Braxton and Chris are portrayed completely different. The highly trained world class assassins are now corny, goofy jokesters. Affleck just looks old and tired. The writing and story are all over the place and jump drastically back and forth between crime thriller and corny comedy. So many pointless long drawn out scenes like the weird speed dating, the line dancing, Braxton arguing with himself about getting a dog. You could of cut at least 45 minutes of pointless nonsense out. What was with the ridiculous seemingly super powered child hackers? I didn't find the female assassin so much as a woke element of just stupid lazy writing. The only thing really woke would be the good illegal immigrants being taken advantage of by white people b.s.

Nothing woke. The female lead is black but she's not the usual aggressive nasty perfect Mary Sue type typical now so I don't really see it as woke. The acting is good, the story and writing are well done. The action scenes are excellent. Just a good entertaining movie.

C'mon. What in the actual hell is going on here?

I kind of watch these films with one eye open but today, I was like, "what in the actual hell?"! The president is a black woman. Ok. Got it. Now, the general or admiral or whatever leader of the aircraft carrier is a platinum blonde, somewhat dyke, woman?

And what's up with the guys in the White House? Fat cat hothead white men who want nothing more than to blow up the world. They're like, "the AI wins. We must blow up and kill now!"

LOL! I forgot the assassination attempt. God damn ciz white people always causing trouble.

And don't get me wrong. You want to put women in these positions it's cool. Can you not make them look like or be lesbians, for one? And just stop with the propaganda. We get it already.

Trying to remember Weapons

I have a hard time remembering this movie, but yeah there's some kind of gay Asian in it. I remember that. I think my wife liked this movie because of the way all the kids ran with their arms out and all. I think that was the only reason. I'm starting to remember the plot and it wasn't really that good for my likings.

Finally, a proper ending.

This was a very fun, fast paced season that brought back Dexter to his original greatness. After one of the worst finale's of all time, and a couple of pretty poor spinoffs, Dexter returned to what he does best...kill bad guys. Although there is some woke elements, they don't really ruin the season because the main man is still Dexter.

Nothing woke. I really wanted to like this movie much more than I actually did. The positives are some pretty good acting, great sound
work and the fx looked great. Unfortunately it's obvious they had very little budget. The movie is just plain boring and there's not enough
content to warrant a full length movie. Too many scenes seem to drag on for far too long. The huge overuse of the slow motion closeup with
muted sound to show disorientation. It can be a good effect but just annoying when used over and over every 5-10 minutes. It feels like a short film padded out to feature length. There is also
the problem that most of the action scenes consist of shots of the soldiers firing their weapons but almost never what they are shooting at.
You hear a lot of background gunshots but rarely are there any bullet impacts, just the occasional round hitting a wall. Because of that you
never feel like there's any real danger or they are in an actual combat situation taking enemy fire. It's not really a terrible movie and it
could of been very good with a bigger budget to do the script justice.

Escaped Its Retard Creator's Agenda

Gravity Falls ain't the woke apocalypse some libtards wish it was, but damn if its creator Alex Hirsch—that sniveling propagandist—didn't try his hardest to turn it into a rainbow-slathered indoctrination camp for kids. On the surface, this 2012-2016 Disney gem is a breath of fresh air in today's preachy cartoon hellscape. The show's got sharp humor, twisty mysteries that actually pay off, and zero of that forced agenda slop that makes modern shows unwatchable. No wonder conservatives dig it—it's family-friendly fun without the lectures.

Now, where this show really shines (and Hirsch gets rightfully roasted) is what it could've been if that soy-raged warrior got his way. This whiny libtard bitched about Disney being too "straight" and censoring his precious LGBTQ+ dreams. He wanted a full-on lesbian granny smooch in "The Love God" episode—just background pandering to rack up that gay ratio and force "representation" down kids throats. Disney axed it, and good riddance; it'd turn a fun love-spell romp into inclusivity slop. Dude also had wet fantasies of queering the kids: bisexual hints for Dipper or fluid vibes for Mabel. Which Disney ofcourse rejected, that led to Hirsch whining about rewriting them to avoid rainbow overload. If this cuck had full reins, Gravity Falls would've been a preachy dumpster fire—exceeding gay ratios, pandering inclusivity, maybe even infinity gender nonsense—ruining a fun mystery show with Tumblr-tier propaganda.


In the end, the show dodged most bullets, making it a solid watch for anti-woke folks who crave clever plots without the rot. Killer voices (Jason Ritter's Dipper nails the nerd angst, Kristen Schaal's Mabel is chaotic joy), and Stan's grizzled wisdom hits home. But Hirsch's baggage taints it—like knowing your burger was almost vegan. Woke Score: 2/10 (subtle stains, but creator's actual intent spikes the threat). Watchability for conservatives: 8/10—binge it, but gag at what almost was. Show that barely escaped the libtard abyss.

Nothing woke. Having been a very long time since I've seen this it is still very funny and holds up very well. Packed full of SNL actors before
they were famous as well as many other recognizable faces. It's silly, stupid and hilarious. The jokes are still funny though if you've never
watched SNL during the 80's early 90's it may not land the same way. You would never get away with these kinds of politically incorrect jokes
in modern movies.

They draw you in and then throw you to the wolves.

My husband and I enjoyed this show for several seasons until suddenly. The main characters were out for a nice day in the country and a couple of kids came running out from the forest. They were followed by two "daddies" on a camping trip. We turned it off and will not be finishing the show.