Main character is a man-bun wearing gay couple. Bottom of the barrel film here. Acting, camera angles, dialog, sound, and story are all
amateur hour. This is NOT a horror movie, it's a bunch of film school rejects in a friends house with no money and an iPhone
trying to make a 'movie'. No scares, no blood, no horror.

It doesn't get much more woke than this. Lesbian main characters first scene is in bed with another woman. Her second scene she is hit on by a white male and states 'I like girls' Got to really hammer home that woke point. The second male character to show up is gay and hires
her because his boyfriend is cheating on him. The villain appears to be a white male preacher using his church to deal drugs. This is within
the first 15 minutes and at this point I'm already done but decide to skim ahead another 10 minutes just to see another lesbian character introduced only to finger bang the first lesbian in a public bar then transition to a full lesbian sex scene. What a bunch of woke trash. There appears to be no real story, the dialog is laughable and not in a funny way, the lead female acting is awful and every line is delivered like she's reading it off a cue card with no emotional range whatsoever. There is no reason for this garbage to exist. How in the hell is this dumpster fire directed by one of the Coen Brothers.

Wow what a huge letdown after the first one. I can't believe this is the same writer and director. Why would you take a dark, serious, thriller action movie and make a goofy comedy sequel? The characters aren't even the same. Braxton and Chris are portrayed completely different. The highly trained world class assassins are now corny, goofy jokesters. Affleck just looks old and tired. The writing and story are all over the place and jump drastically back and forth between crime thriller and corny comedy. So many pointless long drawn out scenes like the weird speed dating, the line dancing, Braxton arguing with himself about getting a dog. You could of cut at least 45 minutes of pointless nonsense out. What was with the ridiculous seemingly super powered child hackers? I didn't find the female assassin so much as a woke element of just stupid lazy writing. The only thing really woke would be the good illegal immigrants being taken advantage of by white people b.s.

Nothing woke. The female lead is black but she's not the usual aggressive nasty perfect Mary Sue type typical now so I don't really see it as woke. The acting is good, the story and writing are well done. The action scenes are excellent. Just a good entertaining movie.

Nothing woke. I really wanted to like this movie much more than I actually did. The positives are some pretty good acting, great sound
work and the fx looked great. Unfortunately it's obvious they had very little budget. The movie is just plain boring and there's not enough
content to warrant a full length movie. Too many scenes seem to drag on for far too long. The huge overuse of the slow motion closeup with
muted sound to show disorientation. It can be a good effect but just annoying when used over and over every 5-10 minutes. It feels like a short film padded out to feature length. There is also
the problem that most of the action scenes consist of shots of the soldiers firing their weapons but almost never what they are shooting at.
You hear a lot of background gunshots but rarely are there any bullet impacts, just the occasional round hitting a wall. Because of that you
never feel like there's any real danger or they are in an actual combat situation taking enemy fire. It's not really a terrible movie and it
could of been very good with a bigger budget to do the script justice.

Nothing woke. Having been a very long time since I've seen this it is still very funny and holds up very well. Packed full of SNL actors before
they were famous as well as many other recognizable faces. It's silly, stupid and hilarious. The jokes are still funny though if you've never
watched SNL during the 80's early 90's it may not land the same way. You would never get away with these kinds of politically incorrect jokes
in modern movies.

Some DEI overrepresentation. All the villains are white. Most of the now typical feminism in movies now including girlbosses. Not surprisingly several of the females are terrible actors. White supremacists with Nazi tattoos try to kill Amondo. Some racist scenes and comments that would never happen if the roles were reversed. The story is cliche and unoriginal. The jokes are stale and not funny. Even though both actors are pushing 60 they act like they are still 30 except when the script needs them to suddenly act older. Marcus is incredibly annoying this time around. The action sequences are dull and just get more and more ridiculous and unrealistic as the movie goes on. The writing is typical of modern Hollywood stupidity. It's watchable if all your looking
for is braindead noise and you can get past the nonsense writing.

Main couple is a beta male who is a loser video game designer to the aggressive unlikable alpha female smart architect who talks down to him
and belittles him. I hated her within 15 min. Their neighbors are a white male and black female mixed race couple. The old white mane downstairs has a black granddaughter. In Germany mind you with an estimated 1.2 percent black population. The acting is passable at best but the writing is abysmal to anyone capable of logical thought. The couple attempts to drill through the barricade with a drill that is turning so slow you might as well be spinning it by hand yet manages to overheat and turn red hot. This same pathetic drill and a tiny hammer have no problem knocking a large hole big enough to crawl through in a solid brick firewall between apartments. The same apartments where a few minutes later after conveniently finding a sledgehammer in their neighbors apartment closet blow a hole through the floor like tissue paper that is clearly 1/2 inch thick plywood and that's it. 40 minutes was I could take of this no effort garbage, I no longer cared what the mystery with the barricade was.

Nothing woke. Excellent performance by Hopkins and good acting all around really. This isn't much of a horror movie but more of a psychological thriller. I wouldn't even call it a slasher. It's a slow burn look at a decent into madness. More creepy and disturbing than actually scary. The biggest issue I have is that we don't see or are told why he snaps or develops another personality. We see him fail on stage one time at the beginning and then he just has the dummy and goes from there. It's worth a watch for Hopkins probably not something to watch again.

The weekest of the trilogy and probably completely unneccesary sequel. The acting is fine but the jokes are now becoming recycled and stale with
more cringe eyerolling than funny. There is still some funny moments but far less the before and the situations that keep happening are getting less and less funny and more ridiculous. I'm giving it 1 woke star just because for some reason they decided to make all the male characters horndog libido chasing a-holes that can't control themselves but act like they did nothing wrong but none of the women act like that.